It’s kind of hard to aim for what you think is the perfect career. You can’t control how many people respond to your music. You could be a nobody or you could be the Rolling Stones. You don’t get to decide.
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There’s been a lot of talk recently about the lack of danger in rock and roll. It’s really hard to argue against that. As Noel Gallagher recently said, they don’t want him, they want Harry Styles. Someone to whom they can say, “go put on a dress” and they’ll just go put on a dress.
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Everything about them was uplifting compared to Seattle. Gone was staying at home and dying from heroin. Back was cocaine, fighting and supermodels. I’m not suggesting going out, doing blow, getting in fights and going home with supermodels, but I at least understand why one would want to do that, as opposed to withering away on the needle at home.
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The same can be said about music. The Vandals are not as good as Franz Liszt, but I like them both for different reasons. That’s okay. And it’s okay if you find out your favorite artist “borrowed” something from a song they liked. It doesn’t make them less-than. In fact, it might make them greater-than, because if you were obsessed with making music that no one had ever made before, you’d probably never get out of your bedroom. The key is finding a slightly different way of doing it, by combining these influences. Purity is a myth.
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